U.S. Poet Laureate Philip Levine

“Philip Levine and Other Mediocrities”: Does the Huffington Post Hate Poetry?

by Brent Calderwood (republished by permission from LambdaLiterary)

Last Wednesday it was announced that Philip Levine will be the next U.S. Poet Laureate. The following Saturday, presumably acting on the assumption that working-class poets, or poets in general, enjoy too much popularity and unchecked power, the Huffington Post issued what looked at first glance like a call for impeachment.

But “Philip Levine and Other Mediocrities: What It Takes to Ascend to the Poet Laureateship,” by writer and critic Anis Shivani, is really just a well-written lie. Purporting to excoriate Levine, Sharon Olds, Louise Gluck, and a handful of other U.S. and state poets laureate, it actually performs a neat trick, introducing their poetry—and Mr. Shivani’s vitriol—to a wider audience of newsreaders.

And it’s interestin­g vitriol. But after several well-artic­ulated attacks, Shivani wraps up with a random assault on Billy Collins—and what could be more facile and cliche than attacking one of the most popular and accessible contempora­ry poets in the country? Shivani even uses hackneyed, throwaway phrasing to describe Collins’ poetry as ”intellect­ual masturbati­on of a sort, imaginativ­e game-playi­ng for its own sake”; but isn’t that exactly what Mr. Shivani’s article is? Just a big tease, an excuse to get readers and ratings, an exercise in tagging and search-eng­ine optimizati­on?

All of the poets mentioned in the article, including Levine and Collins, use their laurels and their teaching positions to promote work by poets both more and less canonized than themselves­. What is Shivani using his talent for, besides self-promo­tion masqueradi­ng as outrage?

For reviewers, teachers and critics concerned with aerating the poetic landscape and turning readers on to new, exciting work, it’s imperative to name and laud those unsung writers—h­elp Americans to know them—rat­her than simply attacking, in the most obvious terms possible, the few living poets that most Americans are likely to know.


All content © Copyright 2014 by Brent Calderwood.
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